1) As a female horror writer what do you bring to the table in terms of what of you write?
A lot of the time, what women find horrifying is different. Much of it is based on the expectations that society places on us, and some is based on the fact that we live a different reality. Those things have been underrepresented in horror entertainment. I try to focus on my own fears, and the fears of other women I know - and find the universality in the unique. 2) Do you think female authors are underrepresented in the horror genre? Women have been some of the seminal writers of the genre, but I think in popular culture the names most associated with horror tend to be male. I think that some of the female contributions to horror have been kind of non-traditional and therefore not given the same attention as the one contributions from men. 3) Tell us about your book(s) I write horror poetry, short stories, screenplays, and novels. My novel Cedar Lake is due out later this year, and it has a non-traditional female protagonist - an Afghanistan veteran struggling with PTSD - in a traditional cabin-in-the-woods setting. I’m adapting it to screen later this year or early next year. I’m currently in production for A Castle For Emily, a short horror film based on a short story I wrote. It follows two young sisters struggling with the loss of their mother, an abusive father, and a new house where things aren’t what they seem. 4) Why is horror writing important to you? Horror is important to me because in some ways, it’s the most honest genre. It’s the most real. We all have dark thoughts. We all have silly fears. We might not share them, and we might even try to deny them to ourselves. But we can’t truly escape them. Horror gives us a safe way to explore those fears, and learn more about the most hidden parts of our own minds. 5) Is the future of horror female? The future of horror reflects the future of many formerly male dominated genres...as women gain more of a voice, their stories gain more of an audience, and the value of female-driven horror will continue to be recognized. The Dead Rise
Trapped in the shower by the monster that was once her husband, Morgan's survival hinges on her willingness to kill the man she loves. She escapes, only to find that the horror has spread and now threatens everything she holds dear. Logan returns to his childhood home and teams up with Max, an army deserter who is racing against time to save his family. Together, they face the real possibility that everyone they know is already dead. Or worse, undead. As the sun sets against the backdrop of the Free State veldt and living nightmares walk the streets in the shape of their loved one's bodies, humanity's last hope rests in the hands of ordinary men and women called to do extraordinary things. Can they Last Another Day? Last Another Day is a Zombie Apocalypse adventure for all fans of Horror and Dystopia. Its blood-spattered pages are filled with gore and action, yet has a strong emotional heart that will leave you craving more. Get your copy today and join the fight for humanity's survival. 1) As a female horror writer, what do you bring to the table in terms of what of you write? I think as a female horror writer, I bring a different perspective to the genre. While I certainly don't pull any punches and happily ever after's aren't my thing, my stories all tend to have a strong emotional core. I believe this is vital to my storytelling and brings my characters to life. After all, nobody cares what happens to characters they can't connect with, either on a personal or emotional level. 2) Do you think female authors are underrepresented in the horror genre? Yes, I think so. Women authors are vastly underestimated when it comes to their writing skills in this particular genre. But I also think we're rapidly making progress in taking our stories to the people and showing them what we've got. Already there's a lot more of us than before, and that isn't something that will change.This is a new age, one in which I think we'll shine. 3) Tell us about your book(s) I write predominantly apocalyptic and post-apocalyptic fiction. My first series, Dangerous Days, focuses on the trials and tribulations of a group of survivors during the zombie apocalypse. While there's plenty of gore and action, it's as much about the people as it is about the end of the world. Each of the characters has to learn who they really are, and what they bring to the table in what is a community effort to survive. 4) Why is horror writing important to you? I love horror. I always have. The rush, the excitement, the feeling you get when all seems lost or a favorite character is in trouble, it culminates in a deep love of the genre for me. I like that it's such a varied genre too with something for literally everybody. Because of this, I felt it was important that I bring my own stories to life, that I add my own voice to the multitude of horror voices out there. So far, I have not been sorry! 5) Is the future of horror female? I think the future of horror is dual, a place where we are all appreciated for our talents and skills. Each of us can bring something to it, something special and unique, and that's what I like, a spirit of cooperation and camaraderie. About the Author: South African writer and coffee addict, Baileigh Higgins, lives in the Free State with hubby and best friend Brendan and loves nothing more than lazing on the couch with pizza and a bad horror movie. Her unhealthy obsession with the end of the world has led to numerous books on the subject and a secret bunker only she knows the location of. Anne Rice - Oct 4th 1941 Anne Rice is the author of Interview with the Vampire, The Witching Hour and Queen of the Damned, along with many other books. She was born in New Orleans and started writing after the death of her daughter. Her first book was published in 1976. She has featured vampires and witches in her novels and several of her books have been made into movies. Her most recent release is Ramses the Damned: The Passion of Cleopatra, which she co-wrote with her son Christopher. Mary Shelley - 30th August 1797 - 1st February 1851 Mary Shelley is famous for writing the novel Frankenstein in 1818. She was married to Percy Bysshe Shelley. After spending a summer in Geneva, she came up with the idea for Frankenstein. She died of a brain tumour at 53. Frankenstein has been adapted many times over the years, into movies, TV shows and books. Shirley Jackson - 14th December 1916 - 8th August 1965
Shirley Jackson was born in California and she wrote several novels over the years. One of her more famous works is The Haunting of Hill House. It was described by Stephen King as one of the most important horror novels of the 20th Century. Shirley suffered from many health problems and died of a heart attack at only 48. Moments; that's all we really have in this world, isn't it? Little Dead Things is a single author collection of 41 stories, flash, and drabbles that tell the tales of the most dire, dreadful, or impactful moment for each character. Perfect for commuters, lunch hours, or waiting at an appointment, these tales will give you much more than a distraction, for the hours that follow just may lead to the contemplation of your very existence. Do you have a moment for Little Dead Things?
1) As a female horror writer what do you bring to the table in terms of what of you write? I think this is a tough question for any horror writer, but I believe I bring a nurturing prospective – that is – for the horror itself. Much like a child needs guidance and reassurance I feel the horror of any good story needs the same. 2) Do you think female authors are underrepresented in the horror genre? I believe there once was a time that was true, but with advancements in opportunities for women such as exposure through events like the Women in Horror Month and self-publication this is no longer quite the case. 3) Tell us about your book(s) My most recent release is a collection of short stories and drabbles titled: Little Dead Things. Here is the blurb: Moments; that's all we really have in this world, isn't it? Little Dead Things is a single author collection of 41 stories, flash, and drabbles that tell the tales of the most dire, dreadful, or impactful moment for each character. Perfect for commuters, lunch hours, or waiting at an appointment, these tales will give you much more than a distraction, for the hours that follow, just may lead to the contemplation of your very existence. Do you have a moment for Little Dead Things? 4) Why is horror writing important to you? Horror writing is important to me because it explores our deepest, primal emotions. People from all religions, ethnicities, sexes, and walks of life experience fear. Though the levels may vary from person to person, the experience is shared among all. Writing horror is important to me because I have the pleasure of sharing this universal emotion. 5) Is the future of horror female? I believe the future of horror will involve many more women than it has in the past, from novelists, and poets, to song writers, and film, women will take positions of power in this creative genre. Do I believe the future is female friendly? Absolutely. Do I believe women will take over? I hope not. I believe there is an equal place in this genre for all and I hope that is what the future holds for us all. About the Author: Jo-Anne Russell is a tortured soul living in Edmonton, Alberta, Canada with her husband, children, and both Mother, and Mother-in-law. Her home is run by a hoard of pets that occupy the family and provide protection so she may write for you. From the mind of Julianne Snow comes an undead collection of stories that feature the gamut of emotions and situations. Presented in flash fiction and short stories, the tales are sure to leave you wanting more and checking over your shoulder.
How would a group of children handle an uprising of the undead? What would you do to save a loved one only to find out that you’re facing a different threat altogether? How would a country react to a timely warning at the end of a war? What happens when a vampiric Romeo hits on an unsuspecting human? In a world where the undead are common place and protected, what happens when speed dating produces a love match? As a female horror writer, what do you being to the table in terms of what you write? That’s both a difficult and easy question to answer. And the answer is the same in both cases: I bring my perspective and experiences to my horror tales. I always weave a little something of myself into each story and try to make the reader feel something—whether it’s genuine fear, abject horror, or a glimmer of hope, I do my best to make it feel real. Do you think female authors are underrepresented in the horror genre? Yes and no. There are a lot of women out there who write horror and who write it well but at the same time, there are women who feel they need to disguise their gender to get the same look from editors that their male counterparts get. I don’t know what the real state of affairs is because it’s constantly changing but it’s great to see the talent, from both women and men that exists in the genre today. Tell us about your books I have one book currently out, Days with the Undead: Book One, that follows a group of survivors during the zombie apocalypse. My short story collection, Glimpses of the Undead, contains short and micro fiction exploring different situations that may arise during a zombie apocalypse. I’ve also co-authored two novels, Dragons of Faith, about a group of dragons looking to change the world, and The Carnival 13, a fun romp through the horrors of a carnival. In addition, I’ve had over 100 short stories published in different anthologies and magazines. Why is horror writing important to you? Writing horror is important to me because it’s what comes off the end of my fingers. I can’t control it really, I’m just a slave the muses that call my brain home. It’s a genre I love and have loved for quite a long time so it does seem like a bit of a no-brainer to me. Is the future of horror female? Good question! I think the future of horror is neither male nor female. It’s bright in the sense that the voices writing today are excellent but it’s not dependent on gender and shouldn’t be. I believe that every good story deserves the same chance as the next one and I hope one day there will be equality not so much in who wrote the story but in the reception of it’s quality. About the Author: Julianne Snow is the author of the Days with the Undead series and the founder of Zombieholics Anonymous. She writes within the realms of speculative fiction, has roots that go deep into horror and is a member of the Horror Writers Association. Julianne has pieces of short fiction in publications from Sirens Call Publications, SAD House Press, Open Casket Press, 7DS Books, James Ward Kirk Publishing, Coffin Hop Press and Hazardous Press with many shorts to be released soon. When Mackenzie Murphy goes looking for her father she finds herself caught in the middle of a demon war between three rival families. Still trying to master her own demon abilities, who can she trust to help her? The mysterious Lucien? Or Taryn, the son of the enemy? With all three families hunting for a talisman that could shift the balance of power, Mackenzie must get to it first and finish what her father started, or die trying.
1) As a female horror writer, what do you bring to the table in terms of what you write? I tend to write fast paced, character driven stories. I like characters who are real. They are by no means perfect and have had difficult lives. I hope this makes them appear more realistic and that readers can relate to them. 2) Do you think that female authors are underrepresented in the horror genre? I think they have been, but I also think that is changing fast. There are so many talented female authors with great books. 3) Tell us about your book(s) Daemon Persuasion is the first book in a series of four. It features Mackenzie Murphy, a bartender/enforcer for a local gang boss. She has the unusual ability of being able to summon a strange shadow that does her bidding. When she goes looking for her long lost father, she discovers that she is in fact half demon. There is a war going on and she gets pulled into it. I have three of the four out now, with the final book out later this year. 4) Why is horror writing important to you? I love writing stories with familiar, safe surroundings, but evil is lurking in the shadows. It's that mix of the ordinary and the extraordinary, where anything could happen. 5) Is the future of horror female? I would like to think that women could be more fairly represented in the horror industry and not just as cannon fodder for the crazed killer or monster in the story. BE CAREFUL WHAT YOU WISH FOR
Satori, an adept Chaos Magician, casts a spell to try and win back his lost love, Star. Lilith, mother of demons, has other ideas. Summoned by Satori's magic, she makes it her mission to manipulate and separate the doomed lovers. Satori knows he and Star are meant to be together. He battles demons, travels worlds and even transcends death for her but, however much she begs, he can't grant her the freedom she craves. The Starblood Trilogy is a tale of sorcery, demonology, murder, sexual obsession and Gothic subculture. In the words of Jef Rouner (Houston Press) “You don't read [Carmilla Voiez's] books. You survive them.” and Starblood may be the most brutal female-centred horror of them all. Winner of numerous indie awards, The Starblood Trilogy is being adapted into a series of graphic novels with art by Anna Dmitrieva. 1) As a female horror writer what do you bring to the table in terms of what of you write? My stories centre women, which makes it interesting to me that I have as many male as female fans. The horror I foreground is women’s fears and my villains are as often female as male. I doubt if it’s because I am a woman, but I also bring empathy “to the table”. I try to make my villains sympathetic and I think doing so makes them more frightening. 2) Do you think female authors are underrepresented in the horror genre? I think female authors are under represented in most genres, but indie is exciting in the fact that it brings us plenty of otherwise marginalised voices. 3) Tell us about your book(s) With pleasure – I’ll start with The Starblood Trilogy. This contains three novels: Starblood, Psychonaut and Black Sun, that follow the lives of two Gothic characters, Star and Satori, and the main (although far from the only) antagonist, Lilith – the demon. As well as plenty of graphic horror and violence, sexuality plays a large role in the narratives. It’s unusual in the fact that both the protagonists are bisexual and their relationship with each other is complicated and obsessive. All three of the novels are being adapted into graphic novels and Starblood the graphic novel is already available. Psychonaut the graphic novel will be released this year (2018). Broken Mirror and Other Morbid Tales is a collection of thirteen weird short stories. Some are straight horror, such as Basement Beauty and Jagged Jaws while some are better described as surreal psychological shorts with nods to Kafka, Poe and Lovecraft. Included in the collection are vampires, ghosts and plenty of death. Finally, The Ballerina and the Revolutionary, while a ghost story, fits into the urban fantasy genre more comfortably than horror. It is deeply psychological and explores one of my obsessions: magic, in particular shamanism. It also foregrounds childhood abuse and the lies our parents tell us. 4) Why is horror writing important to you? I write to answer questions, and in this modern world, full of fear, hatred and distrust, I find most of the answers take me deep into the horror genre. I believe that violence and sex are central to many people’s lives – either internally (in their psyches) or externally in their experiences growing up. I rarely set out to write horror, although I love the genre, but write horror I do. 5) Is the future of horror female? I think there is space for all voices in the horror genre, women’s included. I cannot discount the importance of male writers, I grew up reading them, so I’d like to say that diversity is the future of horror. About the Author: Carmilla Voiez is a new voice in the world of horror and dark fantasy. Her imagery harks back to the writings of Clive Barker and H P Lovecraft, but her voice is uniquely female. A varied diet of feminism and activism, a deep love of horror and a fascination with the Goth aesthetic created the creature of darkness we find today. Her books are both extraordinarily personal and universally challenging. As Jef Rouner of Houston Press once said - "You do not read her books, you survive them." Carmilla lives in North East Scotland and finds inspiration in the wildlife, castles and desolate places that surround her. She lives with her two children, tom cat, and a poet, by the sea. The news reports spoke of a virus sweeping across South America. Entire villages were wiped out, yet events soon turned the media attention elsewhere.
Then a video hit the Internet and quickly went viral. A video showing a woman, attacked, bitten and dying. Then she rose again. Experts confirmed the video as a fake and prank. It was widely condemned as fear-mongering. But all the expert denials counted for nothing when the virus reached the UK. Chloe finds herself left behind, abandoned by Steve who rejoins the army to fight the new enemy. She does not know if she can survive without him. Sam, arrogant and selfish in his immaturity, is miles from home, alone and scared. He knows he must change, must become a man, to endure this strange new world. They must all make sacrifices to do what is right. To do what is right for the greater good. 1) As a female horror writer what do you bring to the table in terms of what of you write? I like to think that my characters are relatable, particularly my female leads. Their real women with real flaws, not super strong assassin ninjas nor weak and feeble that need protection. 2) Do you think female authors are underrepresented in the horror genre? Yes, my first three books are zombie apocalypse and while there are some amazing female writers in this genre, we’re outnumbered significantly by men. This isn’t necessarily a bad thing and could be driven by a reluctance of women to write horror. In the days of indie publishing we can write in any genre we want and don’t need to worry about being dismissed by publishers because of our gender. That said, I did think long and hard about my pen name and whether to use initials rather that the full first name. I ultimately decided that I am proud to be a woman in this genre so I’m not going to hide it. My books covers are also more feminine than others in the genre. This was a risk because I didn’t want to alienate male readers, but it doesn’t seem to have done so far... 3) Tell us about your book(s) I have a zombie apocalypse trilogy called Safe Zone. The first books is set at the outbreak of the virus, my main character is Chloe, a thirty something women, left alone when her boyfriend rejoins the army. The second and third books are set twenty years into the apocalypse and explore the darker side of human nature. 4) Why is horror writing important to you? It’s escapism, generally horror, particularly post apocalyptic horror, allows you to put yourself into the place of the characters and feel their fears. I think about how I would act in that situation and play with scenarios. Many other genres just don’t offer that for me. 5) Is the future of horror female? No, I think any genre solely dominated by either gender isn’t a good thing, and I’d extend this beyond gender to ethnicity, beliefs, nationality etc. The wider the variety of authors, the better the genre will be. For horror, the challenge we face is how to invoke fear in the reader as we are all becoming increasingly desensitised. About the Author: Suzanne Sussex is an avid reader and fan of dystopian and apocalyptic fiction. Originally from Hampshire, she has lived in various finally settling in North Wales, with her boyfriend, and crazy cat. When she is not working or writing, she can usually be found out on the hills, training for her next madcap long-distance hiking adventure. This is the story of Doris Ellison, who had a difficult childhood. She is moving to Thompsonville in order to find a forever home. Here she meets John III O’Rilley, and they fall in love. However, they will have to face her past and current dangers in order to be together. Thompsonville has a history as tainted as her own, and soon Doris’ idyllic restful dream is burst by Troy de Winter, and FBI agent; her boss, Principal Patricia Silverstone; Denis Nelson, who wants ancient books; and Emily, a local witch. Doris has to face issues of good and evil, right and wrong, love and hate, and the conflict between her past events, current reality and future dreams in order to survive, and find happiness.
1) As a female horror writer what do you bring to the table in terms of what of you write? I think women read people, their characters and motivations, with more clarity then men. We pick up on mood and atmosphere faster because we are more in tune with feelings. As women we are educated from a young age to express ourselves clearly. Women are therefore, in my opinion, more able to create moods in writing with words and situations because they are descriptive writers. Added to this is the fact that woman, from the time they are born, are told they are weaker and less than men. This sets us up for situations of danger and fear. Woman knows fear in ways that men can only dream about. Most women can tell you about personal experiences in everyday situations that horrified them. Being in an elevator with a man that is making inappropriate comments, and unsolicited advances. Having to walk to or from your car alone at night. Coming home and having the feeling that something is not what it is supposed to be, as if there is someone in the house. All women know the feeling of being watched by someone. Then I haven’t even started on all the fearful experiences that motherhood adds to our lives! Women know fear, and they can milk their own experiences with horrible situations in creative and effective ways when they write. 2) Do you think female authors are underrepresented in the horror genre? I don’t think they are underrepresented. Women write as much horror fiction as men. I think they are not read as much as their male counterparts. I know of several women who publish horror under male pen names, or use only their initials, not their first names. This is not exclusive to the field of writing. Female engineers, pilots, business women, journalists, and other careers have the same problem. Just look how people used the fact that Hillary Clinton was a women against her in the campaign. There are still, unfortunately, spaces where it is frowned upon for women to work, and horror writing is only one of them. 3) Tell us about your book(s) There is nothing as scary as moving to a new town where you don’t know anyone. It’s even scarier if you bring a terrible past with you which you don’t want anyone else to discover. Doris Ellison’s bus ride to Thompsonville, her new home, and her meeting of the ghost-like child in the dark wet street is almost enough to make her turn around. But fate has brought her here. It does not take a genius to figure out that Thompsonville might pretend to be a beautiful and secluded haven, but beneath this façade hides an Ancient Evil. Doris has to find her way through several obstacles, including a FBI agent, a horrible boss, several dead bodies and a missing teacher. Add to this her nagging suspicion that something terrible is happening at Oak Mountain Academy, the school where she works, and you have all the makings of a classic horror novel. As if that is not enough, a witch shows up and forces Doris to make a terrible decision in order to hide her past. Doris is a multi-layered character, showing clearly that good and evil lives side-by-side in all of us. She is surrounded by colourful characters, all with their own quirks and equally horrible backgrounds. Will Doris succeed in hiding her past? Will she be able to break the evil spell that rests on her new home town? Can she save the children of Thompsonville, whom she has fallen in love with? 4) Why is horror writing important to you? Horror is the first genre that grabbed me by the knees and rocked my world. I read Stephan King’s IT when I was twelve years old. It was totally unacceptable reading in our home, so I did it at night, under the blankets with a flashlight. It scared me beyond measure. And it made me love horror! I love horror because it allows you the freedom to address issues in society. Poverty. Patriarchy. Misogyny. Social exclusion based on sex. Androcentrism. Male privilege. Good and evil. If you are good, you can work these themes into your horror writing without people even noticing that you are addressing them. In fact, most of the issues women face in the world are horrible, and belong in horror books. 5) Is the future of horror female? I think more women will (and should) write horror in the future. I would love to think we can rock the socks off the genre, but that might take time, and commitment from all of us together. Arise women, and write horror! About the Author: Lover of horror, thriller, fantasy and gothic books. Teller of stories. In this standalone spin-off of the Paranormal Detectives Series, we discover the true horrors during Hitler's reign.
In World War Two, not all monsters were human. Male siren Sean Wireman was ostracized from his small village in Israel in the sixteenth century, forced to wander the world until he settled in America in the 1920's. Since he doesn't age like a normal person, he was fit to fight in World War Two, to defend the heritage he spent his whole life running from. Seventy years later, after he has lived a whole other life since Hitler was defeated, from attending law school to becoming a bona fide rock star, the monsters the Nazis released upon the Jews in concentration camps have returned, and he is the only one who can destroy them. But can he save his people once again, or will this fight take a deadly toll? 1) As a female horror writer what do you bring to the table in terms of what of you write? When I started writing, I never even knew that being a female horror author was a rare thing, or that there were any differences in writing! My horror leans towards the paranormal: killer vampires, evil witches, stuff like that. I took inspiration from some of the great authors that started writing before the 21st century: Poe, King, Rice, Jackson, and Shelley. Horror can be scary and gory, but I believe that horror should be about the people (dead, alive, and Undead). What I bring to the table are tales fraught with emotion as well as blood. Because as many women have to learn at a young age, life is about balance. Horror is the same. 2) Do you think female authors are underrepresented in the horror genre? I don't know! I mean, look at the writers who influenced me above. Three out of five are female. Other females who wrote about monsters/ghosts and inspired me are Ellen Schreiber, Heather Brewer (currently Zac), and Terri Garey. I don't think women authors are underrepresented. Many of the best horror pieces were written by women, and people do acknowledge that. The greatest female horror authors are great because they don't focus on their gender as the main selling point. They are so good to the point that their gender is irrelevant. That's my goal. 3) Tell us about your book(s) I'm the author of the Paranormal Detectives Series, which combines horror with mystery, history, and mythology. It follows a mortal detective named Danny and a vampire named Angelica, who runs an entire division of the FBI devoted to hunting down paranormal criminals. The series has five books so far and one spin-off, and will have a total of eight books by the time I'm done with it. When I wrote the series, I just wanted to write characters I liked, who were strong and flawed and sexy and deadly. And somehow, according to reviewers, I created one of the best female characters in Angelica. I didn't set out to do it, she kind of knocked on my head and introduced herself to me. It's important to me that women are represented as characters in horror, and not just as sexy ingenues or murder victims. The PDSeries has Angelica, as well as villains Miranda and Fiona. I also edited and compiled the anthology Damsels of Distress, which focuses on strong female characters in horror, both heroes and villains. There were fifteen other amazing authors who contributed to it, and it was a joy to put together something that, I hope, will make female readers see themselves, or see women they can actually like in horror. 4) Why is horror writing important to you? Besides the fact that I've always been a fan of it in general? I think horror shows us humanity at its most vulnerable. Sex (erotica, which I also write) shows one side of vulnerability, but horror shows something deeper, much more primal. I'm going to quote the Joker here and say, "In their last moments, people show you who they really are." In horror, you see every side of humanity, even in the non-human characters (like Frankenstein's monster for example). It's a unique experience. 5) Is the future of horror female? The future of horror is any gender. It is all genders. Male horror writers are still important and valid, but if I may, some of them need to cool it with the horror porn/rape and go back to what made horror awesome decades ago. I certainly hope to see more female horror writers pop up, but I don't want it to be, "Oh, look at all these great female horror writers!" I want it to simply be, "Look at all these great horror writers!" When gender is no longer an issue is when we have really made it. About the Author: Lily Luchesi is the USA Today bestselling and award-winning author of the Paranormal Detectives Series, published by Vamptasy Publishing. She also has short stories included in multiple bestselling anthologies, and a successful dark erotica retelling of Dracula. She also compiled and edited the bestselling anthology Damsels of Distress, which focuses on strong female characters in horror and paranormal fiction. She was born in Chicago, Illinois, and now resides in Los Angeles, California. Ever since she was a toddler her mother noticed her tendency for being interested in all things "dark". At two she became infatuated with vampires and ghosts, and that infatuation turned into a lifestyle. She is also an out member of the LGBT+ community. When she's not writing, she's going to rock concerts, getting tattooed, watching the CW, or reading manga. And drinking copious amounts of coffee. |
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About the Author:S. K. Gregory is an author, editor and blogger. She currently resides in Northern Ireland. “Description begins in the writer’s imagination, but should finish in the reader’s.” Archives
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